In Chungking
Express, the director, Wong Kar-wai, uses a variety of film techniques in order
to convey the struggle of finding companionship. Kar-wai toys with plot
structure, camera movement, and framing in order to show two separate love
adventures. Kar-wai expresses how even in a city as busy as Hong-Kong, many
people are lonely. Although these techniques can potentially leave viewers
frustrated or confused, if one can fight through these frustrations, the end
result is a satisfying experience.
Chungking Express
consists of two separate stories told back to back. The first is about a
Hong-Kong policeman, known as Cop 223, who is struggling to get over his
ex-girlfriend, May, in addition the audience meets a drug smuggling women who
is trying to fix a drug deal gone wrong. These two seemingly dis-connected
stories meet when Cop 223 starts hitting on the mystery women at the bar.
However it leads nowhere as the women is too tired and is taken to a hotel
where she falls asleep, and Cop 223 leaves. The next story is about another
man, Cop 663, and his struggle to overcome his breakup with a flight attendant.
This story ends on a happier, yet ambiguous note as he falls for an employee of
his favorite restaurant. The movie ends with them two in the restaurant, now
owned by Cop 663, and him asking the female, Faye, where they want to fly too,
however the viewers never hear the answer.
Kar-wai uses a
handheld camera in order to convey the chaos and over-crowdedness of Hong Kong.
When characters are on the move the handheld camera shakes and jolts the viewer
around. However when inside, mainly in the snack food store, or in one of the
cop’s residences, the camera is still and focused. Kar-wai does a tremendous
job contrasting these two settings in order to convey how an individual can be
lonely even when in such a vibrant, bustling city.
The mise en scène used by Kar-wai did a
fantastic job of illustrating the disconnect between characters throughout the
film. It was most prevalent during the scenes in which Cop 663 interacted with
Faye. When he goes to the restaurant
Faye is cleaning the outside glass, Kar-wai films this shot from the
perspective of Faye, with the glass separating them, the glass acts as a motif
to show their separation. The restaurant counter acts the same as the glass in
other scenes.
Overall Chungking
Express is a film displaying loneliness in a large city. The director, Wong
Kar-wai, uses framing, a handheld camera, and a non-linear plot line in order
to display this, leaving the viewer with a film that shows the true effects loneliness
has on a human being.
Director- Wong Kar-wai
Starring-
Brigitte Lin- Women in Blond
Tony Leung Chiu-Wai- Cop 663
Faye Wong- Faye
Tony Leung Chiu-Wai- Cop 663
Faye Wong- Faye
Takeshi Kaneshiro- He Zhiwu, Cop 223
Year- 1994 (China), 1995 (UK), 1996 (U.S)
Length- 98 minutes (HK), 104 Minutes (U.S)
Country- Hong Kong
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